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Tag: bass connections

To get a fuller picture of a forest, sometimes research requires a team effort

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Film by Riccardo Morrelas, Zahava Production

For some people, the word “rainforest” conjures up vague notions of teeming jungles. But Camille DeSisto sees something more specific: a complex interdependent web.

For the past few years, the Duke graduate student has been part of a community-driven study exploring the relationships between people, plants and lemurs in a rainforest in northern Madagascar, where the health of one species depends on the health of others.

Many lemurs, for example, eat the fruits of forest trees and deposit their seeds far and wide in their droppings, thus helping the plants spread. People, in turn, depend on the plants for things like food, shelter and medicines.

But increasingly, deforestation and other disturbances are throwing these interactions out of whack.

DeSisto and her colleagues have been working in a 750,000-acre forest corridor in northeast Madagascar known as the COMATSA that connects two national parks.

The area supports over 200 tree species and nine species of lemurs, and is home to numerous communities of people.

A red-bellied lemur (Eulemur rubriventer) in a rainforest in northeast Madagascar. Photo by Martin Braun.

“People live together with nature in this landscape,” said DeSisto, who is working toward her Ph.D. in ecology at the Nicholas School of the Environment.

But logging, hunting and other stressors such as poverty and food insecurity have taken their toll.

Over the last quarter century, the area has lost 14% of its forests, mostly to make way for vanilla and rice.

This loss of wild habitats risks setting off a series of changes. Fewer trees also means fewer fruit-eating lemurs, which could create a feedback loop in which the trees that remain have fewer opportunities to replace themselves and sprout up elsewhere — a critical ability if trees are going to track climate change.

DeSisto and her colleagues are trying to better understand this web of connections as part of a larger effort to maximize forest resilience into an uncertain future.

To do this work, she relies on a network of a different sort.

The research requires dozens of students and researchers from universities in Madagascar and the U.S., not to mention local botanists and lemur experts, the local forest management association, and consultants and guides from nearby national parks, all working together across time zones, cultures and languages.

Forest field team members at camp (not everyone present). Photo credit: Jane Slentz-Kesler.

Together, they’ve found that scientific approaches such as fecal sampling or transect surveys can only identify so much of nature’s interconnected web.

Many lemurs are small, and only active at night or during certain times of year, which can make them hard to spot — especially for researchers who may only be on the ground for a limited time.

To fill the gaps, they’re also conducting interviews with local community members who have accumulated knowledge from a lifetime of living on the land, such as which lemurs like to munch on certain plants, what parts they prefer, and whether people rely on them for food or other uses.

By integrating different kinds of skills and expertise, the team has been able to map hidden connections between species that more traditional scientific methods miss.

For example, learning from the expertise of local community members helped them understand that forest patches that are regenerating after clear-cutting attract nocturnal lemurs that may — depending on which fruits they like to eat — promote the forest’s regrowth.

Camille DeSisto after a successful morning collecting lemur fecal samples.

Research collaborations aren’t unusual in science. But DeSisto says that building collaborations with colleagues more than 9,000 miles away from where she lives poses unique challenges.

Just getting to her field site involves four flights, several bumpy car rides, climbing steep trails and crossing slippery logs.

“Language barriers are definitely a challenge too,” DeSisto said.

She’s been studying Malagasy for seven years, but the language’s 18 dialects can make it hard to follow every joke her colleagues tell around the campfire.

To keep her language skills sharp she goes to weekly tutoring sessions when she’s back in the U.S., and she even helped start the first formal class on the language for Duke students.

“I like to think of it as language opportunities, not just language barriers,” DeSisto said.”

“Certain topics I can talk about with much more ease than others,” she added. “But I think making efforts to learn the language is really important.”

When they can’t have face-to-face meetings the team checks in remotely, using videoconferencing and instant messaging to agree on each step of the research pipeline, from coming up with goals and questions and collecting data to publishing their findings.

“That’s hard to navigate when we’re so far away,” DeSisto said. But, she adds, the teamwork and knowledge sharing make it worth it. “It’s the best part of research.”

This research was supported by Duke Bass Connections (“Biocultural Sustainability in Madagascar,” co-led by James Herrera), Duke Global, The Explorers Club, Primate Conservation, Inc., Phipps Conservatory and Botanical Gardens, and the Garden Club of America.

Rosetta Reitz: The Life Behind the Music

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A 1983 New Yorker article by Whitney Balliet argued that “Women don’t have the grace and poise to play jazz.” While this comment wasn’t uncommon for the time, it certainly wasn’t universally accepted. In fact, this comment is what feminist writer and producer, Rosetta Reitz, sought to disprove through her decades-long efforts to promote underrepresented records. 

This past Tuesday Feb. 6, the “Rosetta Reitz’s Musical Archive of Care” Bass Connections team hosted a discussion pertaining to the origins, findings, and thought process of this archive. Leading this discussion were researchers Anthony Kelley, Duke Professor, and Tift Merritt, Grammy-nominated musician.  In this, the pair explored the key theme of artistic empathy utilized through the archival process. Archival artistic empathy describes the act of not making yourself the center of your findings but allowing them to enlarge your compassion. This theme was pertinent not only for Merritt’s research journey but also for that of Reitz. 

Rosetta Rietz was a feminist, historian, and producer who recognized the absence of female voices within the jazz industry and sought to find the root cause. Through her efforts she quickly recognized that the women were there, they were simply unheard. Rosetta, determined to change this fact, began to collect information about the music of these women as a means of building a platform for them in Rosetta Records. This recording company was created for the sole purpose of promoting, rediscovering, and establishing the voices of women in the jazz industry, a rarity for the time period. With exactly 97 women under her records, Reitz was unwavering in her attempts to get their music picked up by major radio stations. Rosetta Records would go on to produce eighteen albums dedicated to many talented unknown singers and even some as big as Billie Holiday.  

From L to R: Tift Merritt, Annie Koppes and Anthony Kelley (Picture taken by Yasaman Baghban)

Rosetta was truly an influential creative whose influence extended beyond that of music. She was the owner of a bookstore in Greenwich Village. She went on to write one of the first books on menopause and on the absence of women in jazz.  She was an active member in her community seeking to recognize and correct injustices. Reitz was truly someone whose compassion and artistic empathy shone through. This is not to say that attempts at not centering herself were always successful. Reitz often faced backlash from the media for appearing disingenuous due to ethical and legal concerns surrounding her work. These concerns largely apply to works such as her Jailhouse Blues record which utilized the voices and struggles of women in a Mississippi prison, released by Mississippi congress, to create a record. Many questioned if these women consented to this, how they felt to find this, and the overall ethicality in creating this.  

Bass Connections team members Lindsay Frankfort and Trisha Santanam.

The legacy of Rosetta Reitz is one full of great passion and love for the art that is jazz and women’s place within it. The Bass Connections research team has managed to bring it to life by employing their own artistic empathy. They have created a full picture of the complexities, devotion and love Rosetta had for life’s work further cementing the fact that women indeed have a rightful place within the jazz industry.  

Post by Gabrielle Douglas, Class of 2027
Post by Gabrielle Douglas, Class of 2027

When Art and Science Meet as Equals

Artists and scientists in today’s world often exist in their own disciplinary silos. But the Laboratory Art in Practice Bass Connections team hopes to rewrite this narrative, by engaging Duke students from a range of disciplines in a 2-semester series of courses designed to join “the artist studio, the humanities seminar room, and the science lab bench.” Their work culminated in “re:process” – an exhibition of student artwork on Friday, April 28, in the lobby of the French Family Science Center. Rather than science simply engaging artistic practice for the sake of science, or vice versa, the purpose of these projects was to offer an alternate reality where “art and science meet as equals.”

The re:process exhibition

Liuren Yin, a junior double-majoring in Computer Science and Visual and Media Studies, developed an art project to focus on the experience of prosopagnosia, or face blindness. Individuals with this condition are unable to tell two distinct faces apart, including their own, often relying on body language, clothing, and the sound of a person’s voice to determine the identity of a person. Using her experience in computer science, she developed an algorithm that inputs distinct faces and outputs the way that these faces are perceived by someone who has prosopagnosia.

Yin’s project exploring prosopagnosia

Next to the computer and screen flashing between indistinguishable faces, she’s propped up a mirror for passers-by to look at themselves and contemplate the questions that inspired her to create this piece. Yin says that as she learned about prosopagnosia, where every face looks the same, she found herself wondering, “how am I different from a person that looks like me?” Interrogating the link between our physical appearance and our identity is at the root of Yin’s piece. Especially in an era where much of our identity exists online and appearance can be curated any way one wants, Yin considers this artistic piece especially timely. She writes in her program note that “my exposure to technologies such as artificial intelligence, generative algorithms, and augmented reality makes me think about the combination and conflict between human identity and these futuristic concepts.”

Eliza Henne, a junior majoring in Art History with a concentration in Museum Theory and Practice, focused more on the biological world in her project, which used a lavender plant in different forms to ask questions like “what is truthful, and what do we consider real?” By displaying a live plant, an illustration of a plant, and pressings from a plant, she invites viewers to consider how every rendition of a commonly used model organism in scientific experiments omits some information about the reality of the organism.

Junior Eliza Henne

For example, lavender pressings have materiality, but there’s no scent or dimension to the plant. A detailed illustration is able to capture even the way light illuminates the thin veins of the leaf, but is merely an illustration of a live being. The plant itself, which is conventionally real, can only further be seen in this sort of illustrative detail under a microscope or in a diagram.

In walking through the lobby of FFSC, where these projects and more are displayed, you’re surrounded by conventionally scientific materials, like circuit boards, wires, and petri dishes, which, in an unusual turn of events are being used for seemingly unscientific endeavors. These endeavors – illustrating the range of human emotion, showcasing behavioral patterns like overconsumption, or demonstrating the imperfection inherent to life – might at first glance feel more appropriate in an art museum or a performing arts stage.

But the students and faculty involved in this exhibition see that as the point. Maybe it isn’t so unnatural to build a bridge between the arts and the sciences – maybe, they are simply two sides of the same coin.

Post by Meghna Datta, Class of 2023

Meet Some of the Teams at the Bass Connections Showcase

If you weren’t outside enjoying the sun on Wednesday, April 19, you were probably milling around Penn Pavilion, a can of LaCroix in hand, taking in the buzz and excited chatter of students presenting at the 2023 Fortin Foundation Bass Connections Showcase.

Open floor presentations at the 2023 Bass Connections Showcase

This annual celebration of Bass Connections research projects featured more than 40 interdisciplinary teams made up of Duke faculty, graduate students, undergraduate students, and even partners from other research institutions.

Research teams presented posters and lightning talks on their findings. You might have heard from students aiming to increase representation of women in philosophy; or perhaps you chatted with teams researching physiotherapy in Uganda or building earthquake warning systems in Nepal. Below, meet three such teams representing a wide variety of academic disciplines at Duke.

Building sustainable university-community partnerships

As Bass Connections team member Joey Rauch described, “this is a poster about all of these other posters.” Rauch, who was presenting on behalf of his team, Equitable University-Community Research Partnerships, is a senior double-majoring in Public Policy and Dance. His interest in non-profit work led him to get involved in the team’s research, which aims to offer a framework for ethical and effective university-community research collaboration – exactly what teams do in Bass Connections. The group looked at complicated factors that can make equitable relationships difficult, such as university incentive structures, power dynamics along racial, socioeconomic, and ethnic lines, and rigid research processes.

Senior Joey Rauch with his team’s 2nd-place poster!

Along the lines of rigid research, when asked about what his favorite part of Bass Connections has been, Rauch remarked that “research is oddly formal, so having a guiding hand through it” was helpful. Bass Connections offers an instructive, inclusive way for people to get involved in research, whether for the first or fourth time. He also said that working with so many people from a variety of departments of Duke gave him “such a wealth of experience” as he looks to his future beyond Duke.

For more information about the team, including a full list of all team members, click here.

Ensuring post-radiation wellness for women

From left to right: seniors Danica Schwartz, Shernice Martin, Kayle Park, and Michelle Huang

Seniors Michelle Huang, Shernice Martin, Kayle Park, and Danica Schwartz (all pictured) were gathered around the poster for their team, Promoting Sexual Function and Pelvic Health in Women’s Healthcare.

The project has been around for three years and this year’s study, which looked at improving female sexual wellness after pelvic radiation procedures, was in fact a sister study to a study done two years prior on reducing anxiety surrounding pelvic exams.

As Huang described, graduate students and faculty conducted in-depth interviews with patients to better understand their lived experiences. This will help the team develop interventions to help women after life events that affect their pelvic and sexual health, such as childbirth or cancer treatment. These interventions are grounded in the biopsychosocial model of pain, which highlights the links between emotional distress, cognition, and pain processing.

For more information about the team, including a full list of all team members, click here.

From dolphins to humans

Sophomores Noelle Fuchs and Jack Nowacek were manning an interactive research display for their team, Learning from Whales: Oxygen, Ecosystems and Human Health. At the center of their research question is the condition of hypoxia, which occurs when tissues are deprived of an adequate oxygen supply.

Sophomores Noelle Fuchs and Jack Nowacek

Hypoxia is implicated in a host of human diseases, such as heart attack, stroke, COVID-19, and cancer. But it is also one of the default settings for deep-diving whales, who have developed a tolerance for hypoxia as they dive into the ocean for hours while foraging.

The project, which has been around for four years, has two sub-teams. Fuchs, an Environmental Science and Policy major, was on the side of the team genetically mapping deep-diving pilot whales, beaked whales, and offshore bottlenose dolphins off the coast of Cape Hatteras  to identify causal genetic variants for hypoxia tolerance within specific genes. Nowacek, a Biology and Statistics double-major, was on the other side of the research, analyzing tissue biopsies of these three cetaceans to conduct experiences on hypoxia pathways.  

The team has compiled a closer, more interactive look into their research on their website.

And when asked about her experience being on this team and doing this research, Fuchs remarked that Bass Connections has been a  “great way to dip my toe into research and figure out what I do and don’t want to do,” moving forward at Duke and beyond.

For more information about the team, including a full list of all team members, click here.

Post by Meghna Datta, Class of 2023

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