“The Garden is a healer… that’s just a fact.”
“When people come into my garden they see me.”
“The people in charge are not the ones that look like us.”
These were just a few of the powerful truths shared during the African American Legacy in Gardening and Horticulture Symposium on Saturday, March 29. In a space filled with stories, resistance and regeneration, I witnessed how gardening is much more than cultivation– it’s reclamation, identity and legacy.
Organized by the North Carolina Botanical Gardens, Durham County Library, Sarah P. Duke Gardens, and other community partners, the symposium brought together community members, horticulturalists, scholars, leaders and activists to exchange knowledge and experience. The day featured three rich sessions, each exploring different aspects of African American connections to land history and healing.
The Wisdom of Trees: Urban Forestry and Black Land Ownership in the Subaltern South
The first session explored the deeply rooted issues of Black land ownership, forestry, and land expression in the South. Moderated by Darrell Stover of the North Carolina Museum of Natural Sciences and North Carolina State University, the panel featured a series of powerful and passionate leaders and practitioners: Alton Perry, Director of the Roanoke Cooperative’s Sustaining Forestry and Land retention Project; Tyrone Williams, a third-generation landowner and nationally recognized tree farmer; and Michael Gibson, an internationally recognized topiary and property artist.
Gibson kicked off the discussion by reflecting on his personal relationship with nature. Beginning with simple yard work at just seven years old, he described how “what [he] thought was just a chore turned into a passion.” His words echoed a common theme among the panelists– many found healing and direction through their connection to forestry and the land.
Perry soon turned the conversation in a structural direction, detailing what it was like to be among the mere 4% of men in forestry who are African American. He explained how it was this disparity that motivated his work to support other Black landowners in managing their forest land and to “give them the empowerment to know their land matters.”
Williams shared similar sentiments as he described his journey towards making a name for himself within the field. He spoke of the significance of being part of the African American Tree Farm System and the importance of awareness within the community. “Everyone deserves to have beautiful stands of trees on their property,” he said, underscoring the need for both visibility and access in environmental spaces.
(From L to R: Darrell Stover, Michael Gibson, Tyrone Williams, and Alton Perry)
Black Roots in Gardening and Horticulture
The second session shifted from land to legacy, highlighting the power of storytelling, passion, and tradition in gardening and horticulture. In this conversation, gardens went beyond physical spaces and served as personal and cultural archives.
This session was moderated by Grammy Award-winning vocalist and founding member of the Earthseed Land Cooperative, Justin Robinson. The session brought together a group of incredibly talented and dynamic voices including: Wambui Ippolito, founding principal of Wambui designs; Derek Haynes, affectionately known as the “Chocolate Botanist,” a botanist with a vibrant social media presence; and Teri Speight, the author of the “Urban Garden” and “Black Flora.”
The conversation was heavily centered on African American influences in gardening and horticulture. Speight began the conversation, detailing her initial inspiration for gardening. She explained how the hydrangea served as a manifestation of a love for nature and work in the gardens, instilled by her parents. She further explained how the “bloom is endless,” amplifying the ways in which gardening spans across generations.
Following this, the conversation shifted into the inspirations held in gardening. Ippolito said what inspires her is “anything unspoiled by human hands.” She went on to explain how we often forget the ways that we are innately wired to perceive and appreciate natural landscapes—something she believes we must consciously reconnect with.
Haynes shared a key lesson that gardening has taught him: patience. He acknowledged how failure sometimes is inevitable, but clarified that patience allows him to recognize that his efforts “weren’t in vain.” Instead, he views each setback as a chance to “learn and process” making growth–both personal and botanical–possible.
(From L to R Justin Robinson, Wambui Ippolito, Derek Haynes, and Teri Speight)
Reclaiming Our Narratives: Amplifying Black Voices in Environmental Literature and Media
The final session shifted to focus on the deeply rooted relationship between African Americans and the natural world– despite long-standing narratives suggesting otherwise. This session was moderated by Dr. Zelda Lockhart, a writer, musician, and teacher. The session brought together a powerful group of thinkers and creators such as Dr. Jarvis McInnis, an Associate Professor of English at Duke University, and Dr. Chérie Rivers, an Associate Professor of Geography and Environment at the University of North Carolina Chapel Hill.
The conversation was centered on reclamation—of memory, space, and identity. Professor Rivers offered powerful insight that drew from Ross Gay’s “Inciting Joy” to reflect on the role of stories as seeds carried by our ancestors through every path of life. She described how we each hold stories someone saved for us, meant to nourish and grow our narratives again and again. She emphasized how these narratives are rooted in love and reflected through storytelling and conversation. For Rivers, education expands the repertoire of what we are capable of loving, and it is through education that she sees the most potential for transmitting and sharing these vital stories. “If we believe we are in a garden to sustain life then we will enact truth,” Rivers said.
McInnis challenged the notion that Black communities are disconnected from nature, emphasizing how stories and landscapes serve as bridges between past and present. He described this by pointing to literary traditions that capture Black ecological thought, reminding us that “it’s about beauty.” For McInnis, reclaiming the therapeutic nature of the land is deeply personal. He spoke of the desire to touch soil, to feel deeply connected, and to follow one’s intuition—acts that affirm both presence and belonging in the natural world.
(From L to R: Dr. Zelda Lockhart, Dr. Chérie Rivers, and Dr. Jarvis McInnis)
In tracing the land, legacy and storytelling, these conversations highlight how gardening goes beyond its physical act– it is a cultural practice, a form of resistance, and a path towards healing. For many African Americans, reclaiming connections to the Earth is not simply about growing plants, but nurturing memory, identity and community. Through these narratives, we are able to see that a garden is not only a site of cultivation, but also of restoration, power, and possibility.
